The transition to D-64 brought about a substantial leap in polyphonic capabilities, doubling the voice count to 64. This upgrade in the late 1980s enabled musicians to create even more intricate soundscapes and orchestral arrangements. The D-64 became a staple in many studios, allowing for the production of complex electronic and hybrid music. The increased polyphony made it possible to simulate larger ensembles and even orchestras, pushing the boundaries of what was achievable with electronic instruments.