Audio changes land like a set-piece. Tire squeal now fractures into splinters of rubber and wire; the bass from a passing supercar shivers the glass in a nearby diner. NPC dialogue gets tiny, subversive edits—lines cut shorter, sharper, like they’re being fed through a jittery radio. The city’s soundtrack reinserts itself in places you didn’t expect: a looping saxophone snippet under a freeway overpass, the tinny echo of a busker where previously there was only silence.