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There’s a paradox here about authenticity. Biopics claim authenticity through access and craft: interviews, archival footage, painstaking recreation. Yet their truth is always mediated. Unauthorized distribution, meanwhile, claims authenticity by circumventing mediation—but that authenticity is shallow if it ignores the social contract that sustains creators. Both paths promise a kind of truth: the polished truth of narrative, and the raw truth of access. Neither is complete.