Setting the scene Dhokha: Round D Corner places its drama inside a claustrophobic high-rise and a media circus, then detonates a domestic fracture into public theatre. The film’s conceit—an apparent home invasion colliding with a crumbling marriage and a wife diagnosed with a delusional disorder—lets the director triangulate three competing systems of reality: the private mind, the legal/forensic apparatus, and mass-mediated narratives.